All Things Christopher Plummer


 Carl Van Vechten [Public domain], via Wikimedia Commons

Hollywood trends have come and gone, only to come back again, and things have rapidly changed with social media.  Things are more accessible to create your own little movie, but of course, they will usually not be the blockbuster you think it will be.  This can be a blessing and a curse.  Let’s face it:  watching an amateur video on YouTube is not the same experience as watching a movie in the theater or on your television from a DVD or Blu-ray.  This technological modernization of the world, which includes Hollywood has also produced effective “cheaper” made movies with stories seemingly realistic.  The acting profession might not have the glamour and glitz it once did.  There continues to be crossover from other professions: music and fashion.  This isn’t to say it is easy to get into Hollywood because for the majority it is damn hard.  You must want it bad.  It takes an equal amount of work to stay relevant. The writers’ focus has long forgotten about most epic stories or ones that require an overabundance of thinking by the audience.  The audience has spoken.  It’s become all about comic book adaptations.  Think movies with more action than story, but enough of the latter to not be thought of as one trick cinema.

I tend to be drawn toward roles where actors/actresses are able to showcase their acting range.  I firmly believe that a great actor/actress has range.  S/he is able to absorb into a role, and if it is one that flies in the direction opposite from where s/he stands in reality, then all the more reason to stand up and clap for him/her.   My take on what makes a great actor/actress might differ from the mainstream, as I look to someone who is able to convincingly portray a good person as much as a bad person, and better yet if it is in the same movie.  This isn’t to say an actor/actress playing the same role over and over isn’t good, but to launch them into greatness takes work, and then to become one of the legends takes an even larger body of work, and an understanding few attain.  A great actor/actress is multilayered in techniques, able to gain access to that “needed thing” effortlessly, and quickly transition within scenes and between performances.  I have more to think about what makes a legend, in any profession, but would venture to say it’s a combination of longevity and relevance.

I was first introduced to Christopher Plummer from my grandma.  She watched The Sound the Music every year.  This was my first introduction to musicals.  While this was not his defining role, it surely made him a household name, and this musical is still one of my favorites.  I continued watching all kinds of movies as I left my teenage years and ventured into my twenties, thirties, and now forties.  I have become enamored, in a non-romantic way, with Plummer as I have with Humphrey Bogart and Sidney Poitier.  There is something when seeing an actor/actress who’s walked the streets of Tinseltown year after year, and is no longer considered a “new face.”  The Treasure of the Sierra Madre remains one of my favorites for Bogart and In the Heat of the Night for Poitier.   My favorite, so far for Plummer, is The Fall of the Roman Empire.

As I watched Plummer in his role as J. Paul Getty, it dawned on me how much I enjoy his performances.  I thought about him playing Kaiser Wilhelm II, Leo Tolstoy, Aristotle, and John Barrymore.  I thought about his ability to equally play a warmhearted soul and one that is wicked in nature.  He’s an actor continuing on his path of promise and deliverance.  It almost seems silly for me to even comment because he doesn’t need my accolades.  He has already proven himself, but lately I’ve wanted to see faces of “older” actors/actresses.  Hollywood likes newcomers, the next big thing, so this is my way of saying I want continued space for veteran actors/actresses.  If anyone is deserving of a Hollywood spot, one should be reserved for Christopher Plummer.



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